This exhibition showcases the work of Iri Maruki. In addition to works on folding screens, it features ink paintings filled with an experimental spirit from the pre and post WWII periods, sketches of the human figures which became the core of the creation of “The Hiroshima Panels,” and unreleased works discovered through recent research, as well as collaborative works with Toshi Maruki. During this exhibition period, we will resume the permanent exhibition (scheduled for mid-November 2021 onwards) of the restored collaborative mural works, including The Rape of Nanking (1975), Auschwitz (1977), and Minamata (1980).

Supported by: The Pola Art Foundation; Mitsubishi UFJ Trust and Banking Corporation Foundation for Regional Art-Activities